Bookings are now being taken for the Summer Term which starts on 19 April
If you would like to try a class, please
Make an Enquiry
Here is some feedback from participants following the taster classes on 19th March.
“I wish I had learned music like that as a kid!”
“Picked up some great ideas for my teaching.”
“I had a really fantastic time and learned some useful techniques and ideas. I also found it quite a liberating experience………. It is an excellent way of experiencing music, most excellent, thank you”
“Loved it. A most enjoyable hour and a half.”
“I had never thought about phrasing like that. Now I always will.”
“I think Monica was brilliant and it was a well thought out, greatly varied workshop…….”
In music, all of its major elements – melody, melodic contour, rhythm and phrasing, cadence points, accents, microvariations in timing and dynamics, and harmony among others – are informed by, and draw on, bodily processes. That is why Dalcroze’s seminal understanding of the role of the body and movement in music and musical pedagogy are so important to musicians, musical educators, and psychologists today.
Seitz, J. Psychology of Music (2005)